We are delighted to invite you to visit the exhibition《哩哩囉囉的盒子》“Box of LeeLeeLooLoo!“ at WURE AREA. Three Hong Kong artists, Cho Wing Ki, Wong Mei Yin, and Yeung Sin Man, who also habitually collect small items like stickers and pins, present their recent drawings, paintings and printmaking in this exhibition. Cho Wing Ki uses art to […]
Six Hong Kong comic artists: Chan Sum Kiu, Chiu Leung, Evelyn Bih, Li Pak Huen, Lonely Kidney, and Sanyu Ho — who keenly observe the peculiarities of the mundane and transform them into comic grids. Emotions and ideas traverse between the panels as they explore the endless possibilities of comics through unique storytelling and experimental […]
You do not come to Euphemia only to buy and sell, but also because at night, by the fires all around the market, seated on sacks or barrels or stretched out on piles of carpets, at each word that one man says--such as"wolf," "sister," "hidden treasure," "battle," "scabies," "lovers'' – the others tell, each one, […]
House-owner and artist Sin Wah Lai’s research experiment begins from associations with the shadow and opens towards a thinking through the existence of the Other. She has invited 7 contributors working in different media to collectively expand upon an ongoing dialogue involving performance, video, installation, text, and publication-making, among others, exploring the idea of a […]
Starting from a donut and/or bagel, the 11 emerging artists try to sort out the fourth dimension of the world, by showcasing eleven visions in looking at oneself and their surroundings, piecing the picture of the present together through their respective artistic practices. Participating Artists: BIH Yeuk Nam Evelyn @evelyn_b1 CHAN Pui Hei Karen @okinyxo CHOY Hoi […]
Tracy’s solo “Call Me by Her Name" visually depicts a poem about the passive and alienated experiences of a young girl. Drawing on her memories, she creates a scene exploring the girl's self-positioning as she grows up. While this process seems ordinary, it reveals the pressure of gender, sexuality, and religious roles, leaving her uncertain […]
Fung’s project explores the "aboutness" of Chinese calligraphy, using contemporary art methods to delve into the essence, purpose, meaning, and possibilities of calligraphy itself. Through three thematic aspects - emulation of ancient styles, form creation, and definition - the works are categorised, breaking away from the vertical context of traditional calligraphic history. It even attempts […]
“Bad Bad Fruit” presents an exploration of aesthetics through the co-creation of five emerging artists' developed practices and extended workshops. Individual works by the five artists as well as the results of their public workshops are on display. A practice area is also set up in the venue, where the audience can experiment with the […]
The Harbour Day Project draws on the history of Hong Kong's single previous Harbour Day in 2005, using art to address the concept of a lost civic festival. This project is not merely a reinterpretation of the Hong Kong harbour landscape but an active undertaking to reshape cultural memory. The project employs a typological approach, […]
Archipelagoing is an Experimental Performative Showcase by Po-Yun Kuo and Momo Ma Pak Yin, concerning individual being and continuous becoming. The archipelago, as a geographical archetype, is essentially a philosophy of the gap. The defined borders of the islands establish periphery and self-sufficiency, while the surrounding ocean, currents, and tides foreshadow drifting, searching, and inevitable […]
Constant overexertion slowly drains the self. Letting go would break the long-built sense of identity. To sustain the continuity of daily life is merely to force the old contours back together in a fragile adhesion, while the interior has long since become hollow. This showcase comes from Kan Kin Kin’s long experience caring for family […]
Photographed in the Summer of 2025, To Tibet is a collection of silver gelatin prints made by Wu Chi Long, capturing various scenes along the China National Highway 214 (G214) and 318 (G318). This showcase is a visual representation of the Artist’s introspection in his 18-day roadtrip from Kunming of Yunnan to Lhasa of Tibet. […]