Alixe Fu: Wheatfields’ Whisper

EVENT DESCRIPTION

At Chatham Maison, a unique viewing centre in Hong Kong combining art & history, Amanda Wei Gallery presents over 40 years of Alixe Fu’s wonderful artistic journeys. Alixe Fu has lived in Paris, Beijing, Taipei, New York, and various other places before settling in Auvers-sur-Oise, in the northern suburbs of Paris, France, also known as “Van Gogh Village”. Alixe Fu regards this small French town as the place where he really belongs, as it established his position as an artist. Besides creating artworks here, he has also set his feet on the raven wheatfields of Van Gogh for over 30 years. Thus, his first retrospective exhibition is titled “Wheatfields’ Whisper”.

The exhibition integrates a spatial transformation of the venue itself, curating 7 independent themes following Alixe Fu’s symbolic series. The curatorial concept is primarily based on his series, supported by his creation timeline: ‘80-90s early series: 1980 “Fate”, 1983-1987 “Game”, 1987-1991 “Saint Denis”, 1991-2022 “Scarecrow and The Cross” series, 1994-1997 “Birth”’, ‘1997-2022 “Plant Man-Animal Man” series’, ‘2012-2022 Old Pictures-New Works “Anti-Retro” series’, ‘1997-2022 “Hybrid Portraits” series’, ‘2022 Recent Works series’, ‘1980-2022 Sketches series’, and ‘2006-2022 “Sign Me” Sculpture series’.

‘80-90s early series’ is revealed by “Fate” created during his academic period in 1980. Expressing the ambiguity and contradiction of his younger self. From ‘Who am I?’ to ‘Why am I here? What is the purpose of life?’, these existential questions linger around the works. He then immigrated to Paris in 1987 and settled in Paris’s rural area called Auvers-sur-Oise, where he created the “Scarecrow and The Cross” series.

‘1997-2022 “Plant Man-Animal Man” series’ explores the theme of human existence, in a visual scope, he dissects and reconstructs the bodies, diving deep into the spiritual thinking and imagination, finally reaching an epiphany.

‘2012-2022 Old Pictures-New Works “Anti-Retro” series’ muffles the boundaries of time. Through dialogues with ancient paintings, the past, present and the future intertwines. The abstract yet existing relationship between the individual and history is therefore displayed to be an overlapping time space.

‘1997-2022 “Hybrid Portraits” series’ is the most iconic series, highlighting Alixe Fu’s vision of 2 dimensional visual concepts. By breaking the opposition between figuration and abstraction, he establishes a third surreal space of his own, integrating three decades worth of artistic exploration onto his imagery, both vast and global.

‘2022 Recent Works series’ Alixe Fu continues to present works that float between realities, they bring surreal visual impact to his audience. His unique sense of vision and brushstrokes as he transforms figurative faces, human bodies, landscapes, and objects, reflecting his exploration of identity between artistic deconstruction and construction. By connecting the past, present and the future, he establishes his own existence.

‘1980-2022 sketches series’ run through Alixe Fu’s creative career and occupy a significant position in his artistic inspiration. In 1988, he began studying sketches on paper, and by 1989, he left 15 sketched models. Referencing 1983-1987 “Game” where his imagery and subjects were previously rigid and realistic, Alixe Fu’s sketches in 1989 became more unrestrained and freer through lines. Additionally, the artist began using a more vibrant colour palette, experimenting with a variety of mediums, breaking away from the in-the-box framework, opening a new door for creative flow.

‘2006-2022 “Sign Me” Sculpture series’, started in 2008 where 17 large sculptures are all derived from his sketches. Alixe Fu invited his audience to sign on the sculptures from the “Sign Me” series, and eventually coloured them. Through these works, he communicates, connects, and travels towards prosperity and symbiosis.

To conclude this art feast, we welcome guests to the rooftop to participate in our signing activity with the “Sign Me” series sculptures “Brothers”, together ‘sign for love’.

RSVP: office@amandaweigallery.com
Chatham Maison reception: Central AMANDA WEI GALLERY (Shop B, Wilson House, 19-27 Wyndham Street, Central)