White Cube presents an exhibition of paintings by London-based Canadian artist Michele Fletcher. Informed by the natural world and guided by visual memory, Fletcher’s process-driven works are marked by her distinctive use of colour and haptic brushwork, which confer an organic dynamism to her abstract forms. ‘Inside the White Cube’ is a series of exhibitions […]
A solo exhibition of new paintings by American artist and curator Howardena Pindell (b.1943, Philadelphia, Pennsylvania) will open at White Cube Hong Kong in November 2024, marking Pindell’s first solo exhibition in Asia and the gallery’s inaugural presentation of the artist since announcing representation in May 2024. ‘Howardena Pindell: Deep Sea, Deep Space’ debuts a new series […]
White Cube is pleased to present the first solo exhibition of new work by Australian-born, New York-based artist Jessica Rankin in Asia. These take as their departure point poetry, particularly that of her mother, Jennifer Rankin (1941–79), and explore landscape as a carrier of emotion and personal memory. Through a combination of embroidered and painted […]
White Cube is pleased to present ‘Inside the White Cube: Lee Jin Woo’. Born in Korea in 1959, this Paris-based artist creates work in which the method of its making is integral to its comprehension. The process commences with the burning of wood to create charcoal and ash, which is then overlaid with hanji – a handmade […]
British artist Giovanelli’s (b.1993, London, UK) work considers the significance and history of painting as a system of representation. Titled ‘Here on Earth’, the exhibition debuts a new group of paintings in which the central female figure is doubled and repeated – frozen in a moment of ecstasy – exploring the tension between representation and […]
White Cube is pleased to present a solo exhibition of paintings and works on paper by Léon Wuidar, marking the artist’s inaugural show in Asia. Chronicling Wuidar’s remarkable six-decade career, the selection of paintings spans from the early 1960s to the present day, uniting the artist’s exuberant simplicities of form with his distinctive, exacting technical […]
White Cube Hong Kong is pleased to present the first exhibition in Asia of the late Dutch-born Belgian artist Bram Bogart (1921–2012). Drawing from across his extensive career, the exhibition pays particular attention to Bogart’s unique exploration of paint as sensorial, sculptural matter, showing works made between 1952 to 2009.During his life, Bogart became known for […]
White Cube is pleased to present Julie Curtiss’ first exhibition in Greater China, opening in September. The presentation will feature painting, sculpture and works on paper, as well as Curtiss’ first film work, a Surrealist narrative incorporating sculptural props made by the artist. The new works feature birds, insects and lush, tropical plants influenced by […]
White Cube Hong Kong is pleased to present ‘New Moroism’, a group exhibition which brings together four artists who seek to expand the parameters and ideation of figuration in painting. Part of a generation of artists emerging from Asia in recent years, Chris Huen Sin-Kan, Timothy Lai, Su Yu-Xin and Michael Ho reflect a new […]
White Cube Hong Kong is pleased to present ‘Deep Dive’, a solo exhibition by Tunji Adeniyi-Jones and the artist’s first in the region. For this, the artist has created a new suite of paintings and delicate lithographs that address historical subjects – such as mythology, religion and the spectacle of ceremony – through the lens of the […]
In 1913, Russian artist Kazimir Malevich (1879–1935) made what is widely regarded as modern art’s first entirely abstract work, the self-descriptively titled painting Black Square. As a student, German painter Imi Knoebel was inspired by Malevich’s theory of Suprematism, which rejected all representational imagery in favour of the ‘supremacy of pure artistic feeling’. When Knoebel […]
Margaux Williamson’s first exhibition in Asia heralds a re-invigorated form of figuration. In paintings characterised by a sense of interiority and intimacy, Williamson explores how the visual markers of daily life can frame and refract experience. Devoid of protagonists, her subjects include domestic interiors, still lifes and nature close to home, which reveal, through an […]