Hot on the heels of Tailwhip, Empty Gallery is pleased to present BAD TIMING, Xper.Xr’s second exhibition with the gallery, and his first presentation of new work in nearly three decades. Occupying a seminal, if oft-overlooked, position within Hong Kong art history, Xper stands nearly alone as a regional representative of the radically individualistic and […]
Empty Gallery is pleased to present the Tehran-born, New York-based artist’s first solo exhibition with the gallery. نور (Nour) Meaning ‘light’ in the Persian language, presents new works by Raissnia that assemble an idiosyncratic syntax of architectural, natural and technological forms to construct multilayered 'somewheres' that traverse past and present, memory and imagination, transient moments […]
Empty Gallery is pleased to present Sites of Wounding: Chapter 1, New York and Hong Kong-based artist Jes Fan's second solo exhibition with the gallery. Originally trained in glassmaking, Fan's practice in expanded sculpture merges a regard for form with a radically transdisciplinary approach to research and material experimentation- often incorporating unstable organic compounds such […]
Empty Gallery is pleased to present screen-skins, New York-based artist Tishan Hsu's second solo exhibition with the gallery. Since the 1980s, Hsu's practice has investigated the complex manner in which information technology has altered the perceptual, affective, and political contours of our embodied experience. Continually refining his practice to keep pace with these emergent phenomena, […]
Empty Gallery is pleased to present Back, Oslo-based artist Doris Guo’s first solo exhibition in Asia. Existing in the interstices between embodied duration and affective labor, Guo’s practice often coalesces around the cultural and material gestures which structure our attempts to form a communal life. Back centers around a collaborative project of material care which […]
Empty Gallery is pleased to present Respirare, Tokyo-based painter Reina Sugihara's first solo exhibition with the gallery. Sugi-hara's enigmatic canvases emerge from a gradual and ritualistic process of tracing, layering, and effacement often enacted over a period of months or years. Her paintings first coalesce around the intuitive selection of a found object, whose essential […]