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X-WR-CALDESC:Events for Culture Plus
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DTSTART:20210101T000000
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BEGIN:VEVENT
DTSTART;TZID=Asia/Hong_Kong:20220713T193000
DTEND;TZID=Asia/Hong_Kong:20220713T213000
DTSTAMP:20220616T031257Z
CREATED:20220616T031257Z
LAST-MODIFIED:20220616T031257Z
UID:10017829-1657740600-1657747800@cultureplus.asia
SUMMARY:Everyday Dialogues: Beyond Classics and Multi-arts Lectures
DESCRIPTION:In this series of five lectures\, the classics will be re-read with a contemporary approach covering various genres of multi-arts\, ranging from cultural theories\, paintings\, music\, literary works\, films as well as performative and visual arts\, so as to discuss topics of current trends such as aesthetics\, technology\, futurism and gender by exploring the subtle correlation between classics and multi-arts. The lectures will also look into how the classics respond to the everyday in an intimate way. \nIn Cantonese \n17 June (Fri) \nLecture 1: Aesthetics\, Being and Adaptation \nAs an introduction to this lecture series\, to explore the topic of “existence” in different art forms. \nTexts covered \n– Books: Italo Calvino (1991) Why Read the Classics? and Nietzsche\, F. (1872) The Birth of Tragedy \n– Film: Spike Jonze (2002) Adaptation \n– Theatrical Production and Film: Edward Lam Dance Theatre (2020) 14 Variations on the Theme of Yi Yi \n24 June (Fri) \nLecture 2: Re-reading Classics through Futurism \nTo discuss how the classics can be re-read through futurism in science fiction works. \nTexts covered \n– Books: Shelley (1818) Frankenstein\, Byung-Chul Han (2017) Psychopolitics: Neoliberalism and New Technologies of Power and Barthes (1980) Camera Lucida \n– Multi-arts performance x film: 1927 (2018) Golem \n– Film: Spike Jonze (2013) Her \n6 July (Wed) \nLecture 3: Shakespeare and Beyond \nTo re-read “The Tempest” by Shakespeare through the works of different art forms. \nTexts covered \n– Book: Frantz Fanon (1952) White Masks\, Black Skin \n– Play: Aimé Césaire (1969) A Tempest \n– Film: Julie Taymor (2010) The Tempest \n– Short Film: Ata Wong of Théâtre de la Feuille (2021) The Tempest \n13 July (Wed) \nLecture 4: Gender in Classics and Others \nSelected paintings on Venus are cited as an introduction to discuss how gender is projected in art pieces. \nTexts covered \n– Book: Virginia Woolf (1925) Mrs. Dalloway \n– Films: Stephen Daldry (2002) The Hours and Sylvia Chang (2004)\, 20\,30\,40 \n– Chamber Opera: Yi Wong\, Daniel Lo & Olivia Yan (2021) Women Like Us \n20 July (Wed) \nLecture 5: Madness and Everyday \nUsing a number of paintings on insanity as an introduction to discuss the expression of related mental status in different works. \nTexts covered \n– Books: Dostoevsky (1864) Notes from Underground and Foucault (1961) The History of Madness \n– Dance Video: Terry Tsang (2020) Into The Choreo- / Photo- graphy Ep3 \n– Multimedia Project: Chi-yung Wong (2021) Exploring Arts & Minds \n– Film: Jeffrey Lau (1995) Out of the Dark \nMore reference texts will be brought forward in the lectures. \nThe speaker reserves the right to change the programme content. \nEach lecture will run for about 2 hours.
URL:https://cultureplus.asia/event/everyday-dialogues-beyond-classics-and-multi-arts-lectures/2022-07-13/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
CATEGORIES:Learning,Literature
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Hong_Kong:20220706T193000
DTEND;TZID=Asia/Hong_Kong:20220706T213000
DTSTAMP:20220616T031257Z
CREATED:20220616T031257Z
LAST-MODIFIED:20220616T031257Z
UID:10017828-1657135800-1657143000@cultureplus.asia
SUMMARY:Everyday Dialogues: Beyond Classics and Multi-arts Lectures
DESCRIPTION:In this series of five lectures\, the classics will be re-read with a contemporary approach covering various genres of multi-arts\, ranging from cultural theories\, paintings\, music\, literary works\, films as well as performative and visual arts\, so as to discuss topics of current trends such as aesthetics\, technology\, futurism and gender by exploring the subtle correlation between classics and multi-arts. The lectures will also look into how the classics respond to the everyday in an intimate way. \nIn Cantonese \n17 June (Fri) \nLecture 1: Aesthetics\, Being and Adaptation \nAs an introduction to this lecture series\, to explore the topic of “existence” in different art forms. \nTexts covered \n– Books: Italo Calvino (1991) Why Read the Classics? and Nietzsche\, F. (1872) The Birth of Tragedy \n– Film: Spike Jonze (2002) Adaptation \n– Theatrical Production and Film: Edward Lam Dance Theatre (2020) 14 Variations on the Theme of Yi Yi \n24 June (Fri) \nLecture 2: Re-reading Classics through Futurism \nTo discuss how the classics can be re-read through futurism in science fiction works. \nTexts covered \n– Books: Shelley (1818) Frankenstein\, Byung-Chul Han (2017) Psychopolitics: Neoliberalism and New Technologies of Power and Barthes (1980) Camera Lucida \n– Multi-arts performance x film: 1927 (2018) Golem \n– Film: Spike Jonze (2013) Her \n6 July (Wed) \nLecture 3: Shakespeare and Beyond \nTo re-read “The Tempest” by Shakespeare through the works of different art forms. \nTexts covered \n– Book: Frantz Fanon (1952) White Masks\, Black Skin \n– Play: Aimé Césaire (1969) A Tempest \n– Film: Julie Taymor (2010) The Tempest \n– Short Film: Ata Wong of Théâtre de la Feuille (2021) The Tempest \n13 July (Wed) \nLecture 4: Gender in Classics and Others \nSelected paintings on Venus are cited as an introduction to discuss how gender is projected in art pieces. \nTexts covered \n– Book: Virginia Woolf (1925) Mrs. Dalloway \n– Films: Stephen Daldry (2002) The Hours and Sylvia Chang (2004)\, 20\,30\,40 \n– Chamber Opera: Yi Wong\, Daniel Lo & Olivia Yan (2021) Women Like Us \n20 July (Wed) \nLecture 5: Madness and Everyday \nUsing a number of paintings on insanity as an introduction to discuss the expression of related mental status in different works. \nTexts covered \n– Books: Dostoevsky (1864) Notes from Underground and Foucault (1961) The History of Madness \n– Dance Video: Terry Tsang (2020) Into The Choreo- / Photo- graphy Ep3 \n– Multimedia Project: Chi-yung Wong (2021) Exploring Arts & Minds \n– Film: Jeffrey Lau (1995) Out of the Dark \nMore reference texts will be brought forward in the lectures. \nThe speaker reserves the right to change the programme content. \nEach lecture will run for about 2 hours.
URL:https://cultureplus.asia/event/everyday-dialogues-beyond-classics-and-multi-arts-lectures/2022-07-06/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
CATEGORIES:Learning,Literature
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Hong_Kong:20220624T193000
DTEND;TZID=Asia/Hong_Kong:20220624T213000
DTSTAMP:20220616T031257Z
CREATED:20220616T031257Z
LAST-MODIFIED:20220616T031257Z
UID:10017827-1656099000-1656106200@cultureplus.asia
SUMMARY:Everyday Dialogues: Beyond Classics and Multi-arts Lectures
DESCRIPTION:In this series of five lectures\, the classics will be re-read with a contemporary approach covering various genres of multi-arts\, ranging from cultural theories\, paintings\, music\, literary works\, films as well as performative and visual arts\, so as to discuss topics of current trends such as aesthetics\, technology\, futurism and gender by exploring the subtle correlation between classics and multi-arts. The lectures will also look into how the classics respond to the everyday in an intimate way. \nIn Cantonese \n17 June (Fri) \nLecture 1: Aesthetics\, Being and Adaptation \nAs an introduction to this lecture series\, to explore the topic of “existence” in different art forms. \nTexts covered \n– Books: Italo Calvino (1991) Why Read the Classics? and Nietzsche\, F. (1872) The Birth of Tragedy \n– Film: Spike Jonze (2002) Adaptation \n– Theatrical Production and Film: Edward Lam Dance Theatre (2020) 14 Variations on the Theme of Yi Yi \n24 June (Fri) \nLecture 2: Re-reading Classics through Futurism \nTo discuss how the classics can be re-read through futurism in science fiction works. \nTexts covered \n– Books: Shelley (1818) Frankenstein\, Byung-Chul Han (2017) Psychopolitics: Neoliberalism and New Technologies of Power and Barthes (1980) Camera Lucida \n– Multi-arts performance x film: 1927 (2018) Golem \n– Film: Spike Jonze (2013) Her \n6 July (Wed) \nLecture 3: Shakespeare and Beyond \nTo re-read “The Tempest” by Shakespeare through the works of different art forms. \nTexts covered \n– Book: Frantz Fanon (1952) White Masks\, Black Skin \n– Play: Aimé Césaire (1969) A Tempest \n– Film: Julie Taymor (2010) The Tempest \n– Short Film: Ata Wong of Théâtre de la Feuille (2021) The Tempest \n13 July (Wed) \nLecture 4: Gender in Classics and Others \nSelected paintings on Venus are cited as an introduction to discuss how gender is projected in art pieces. \nTexts covered \n– Book: Virginia Woolf (1925) Mrs. Dalloway \n– Films: Stephen Daldry (2002) The Hours and Sylvia Chang (2004)\, 20\,30\,40 \n– Chamber Opera: Yi Wong\, Daniel Lo & Olivia Yan (2021) Women Like Us \n20 July (Wed) \nLecture 5: Madness and Everyday \nUsing a number of paintings on insanity as an introduction to discuss the expression of related mental status in different works. \nTexts covered \n– Books: Dostoevsky (1864) Notes from Underground and Foucault (1961) The History of Madness \n– Dance Video: Terry Tsang (2020) Into The Choreo- / Photo- graphy Ep3 \n– Multimedia Project: Chi-yung Wong (2021) Exploring Arts & Minds \n– Film: Jeffrey Lau (1995) Out of the Dark \nMore reference texts will be brought forward in the lectures. \nThe speaker reserves the right to change the programme content. \nEach lecture will run for about 2 hours.
URL:https://cultureplus.asia/event/everyday-dialogues-beyond-classics-and-multi-arts-lectures/2022-06-24/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
CATEGORIES:Learning,Literature
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Hong_Kong:20220617T193000
DTEND;TZID=Asia/Hong_Kong:20220617T213000
DTSTAMP:20220616T031257Z
CREATED:20220616T031257Z
LAST-MODIFIED:20220616T031257Z
UID:10017826-1655494200-1655501400@cultureplus.asia
SUMMARY:Everyday Dialogues: Beyond Classics and Multi-arts Lectures
DESCRIPTION:In this series of five lectures\, the classics will be re-read with a contemporary approach covering various genres of multi-arts\, ranging from cultural theories\, paintings\, music\, literary works\, films as well as performative and visual arts\, so as to discuss topics of current trends such as aesthetics\, technology\, futurism and gender by exploring the subtle correlation between classics and multi-arts. The lectures will also look into how the classics respond to the everyday in an intimate way. \nIn Cantonese \n17 June (Fri) \nLecture 1: Aesthetics\, Being and Adaptation \nAs an introduction to this lecture series\, to explore the topic of “existence” in different art forms. \nTexts covered \n– Books: Italo Calvino (1991) Why Read the Classics? and Nietzsche\, F. (1872) The Birth of Tragedy \n– Film: Spike Jonze (2002) Adaptation \n– Theatrical Production and Film: Edward Lam Dance Theatre (2020) 14 Variations on the Theme of Yi Yi \n24 June (Fri) \nLecture 2: Re-reading Classics through Futurism \nTo discuss how the classics can be re-read through futurism in science fiction works. \nTexts covered \n– Books: Shelley (1818) Frankenstein\, Byung-Chul Han (2017) Psychopolitics: Neoliberalism and New Technologies of Power and Barthes (1980) Camera Lucida \n– Multi-arts performance x film: 1927 (2018) Golem \n– Film: Spike Jonze (2013) Her \n6 July (Wed) \nLecture 3: Shakespeare and Beyond \nTo re-read “The Tempest” by Shakespeare through the works of different art forms. \nTexts covered \n– Book: Frantz Fanon (1952) White Masks\, Black Skin \n– Play: Aimé Césaire (1969) A Tempest \n– Film: Julie Taymor (2010) The Tempest \n– Short Film: Ata Wong of Théâtre de la Feuille (2021) The Tempest \n13 July (Wed) \nLecture 4: Gender in Classics and Others \nSelected paintings on Venus are cited as an introduction to discuss how gender is projected in art pieces. \nTexts covered \n– Book: Virginia Woolf (1925) Mrs. Dalloway \n– Films: Stephen Daldry (2002) The Hours and Sylvia Chang (2004)\, 20\,30\,40 \n– Chamber Opera: Yi Wong\, Daniel Lo & Olivia Yan (2021) Women Like Us \n20 July (Wed) \nLecture 5: Madness and Everyday \nUsing a number of paintings on insanity as an introduction to discuss the expression of related mental status in different works. \nTexts covered \n– Books: Dostoevsky (1864) Notes from Underground and Foucault (1961) The History of Madness \n– Dance Video: Terry Tsang (2020) Into The Choreo- / Photo- graphy Ep3 \n– Multimedia Project: Chi-yung Wong (2021) Exploring Arts & Minds \n– Film: Jeffrey Lau (1995) Out of the Dark \nMore reference texts will be brought forward in the lectures. \nThe speaker reserves the right to change the programme content. \nEach lecture will run for about 2 hours.
URL:https://cultureplus.asia/event/everyday-dialogues-beyond-classics-and-multi-arts-lectures/2022-06-17/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
CATEGORIES:Learning,Literature
END:VEVENT
END:VCALENDAR