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DTSTART:20210101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230714
DTEND;VALUE=DATE:20230717
DTSTAMP:20230624T063842Z
CREATED:20230624T063842Z
LAST-MODIFIED:20230624T063842Z
UID:10018777-1689292800-1689551999@cultureplus.asia
SUMMARY:Sam and her Amazing Book of Dinosaurs
DESCRIPTION:From the dream team of acclaimed Hong Kong Ballet (HKB) Artistic Director Septime Webre\, Olivier and Tony Award-winning design and production company 59 Productions (UK) and celebrated New York-based composer Nico Muhly\, comes a brand new high-tech adventure! HKB is thrilled to announce the world premiere of Sam and her Amazing Book of Dinosaurs\, presented by the Leisure and Cultural Services Department\, as the exciting opening programme at International Arts Carnival 2023 during 14 – 16 July. This combination of groundbreaking arts technology and breathtaking ballet will take the audience on a magical journey through time to a wondrous world of dinosaurs. \nNine-year-old Sam moves to a new neighbourhood in Hong Kong and faces the daunting challenge of making new friends and starting over at a different school. One morning\, her teacher gives her a dusty old dinosaur encyclopaedia. Inside the yellowing pages\, she discovers a portal that transports her back to prehistoric times. There Sam meets a baby dinosaur who becomes her best friend. But when Sam’s newfound friend tags along back to the modern world\, she realises that her already difficult new life just got a lot more complicated!  \nWebre explains\, ‘Throughout the creative process\, I’ve had some unexpected help from my two-year-old son Axel\, who is completely obsessed with dinosaurs. Therefore\, creating this show was a personal journey for me as well as an artistic one. I hope that children – and adults – of all ages will be entertained and delighted by Sam’s life-changing journey.’ Inside a mischievous dinosaur world with lively animation and immersive video projection\, there’s a new\, exciting scene every time we turn the page: a comical cockroach dance\, an adorable baby dino dance and even a nerds vs bullies dance-off! Audiences will be dazzled by Webre’s exuberant choreography to Muhly’s lively score. Muhly has received commissions from The Metropolitan Opera\, Carnegie Hall and the Los Angeles Philharmonic\, and his work for screen includes scores for The Reader\, Kill Your Darlings and Howards End. \nInspired by a children’s pop-up book\, Mark Grimmer\, a seasoned TV and film writer and producer from 59 Productions\, created the playful world of Sam and her Amazing Book of Dinosaurs. He has also led many projects for the Royal Opera House\, Lincoln Center and more\, and his notable work includes the Victoria and Albert Museum’s David Bowieexhibition\, which broke London box office records and toured around the world. 59 Productions is also the creative mastermind behind the London 2012 Olympic Games’ Opening Ceremony video design and the Met Ball decor in New York. In early 2023\, 59 Productions’ new immersive venue\, Lightroom\, in London had its inaugural exhibition ‘David Hockney: Bigger & Closer (not smaller & further away)’\, a 60-year journey of Hockney’s art through large-scale projection. Webre said\, ‘It’s been a joy creating this show with 59 Productions\, who effortlessly fuses the analogue and the high tech worlds together. Their designs are filled with breathtaking surprises.’ \nWith fabulous costumes from local designer Yoki Lai\, winner of the Hong Kong Drama Awards’ Best Make-up & Image in 2005 and Best Set Design in 2006\, each character in Sam and her Amazing Book of Dinosaurs will wow audiences and take them on an unforgettable prehistoric journey.  \n14 – 16 Jul 2023Fri 7:30pm | Sat – Sun 2:30pm & 7:30pm
URL:https://cultureplus.asia/event/sam-and-her-amazing-book-of-dinosaurs/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
CATEGORIES:Children,Dance
ATTACH;FMTTYPE=image/jpeg:https://cultureplus.asia/wp-content/uploads/2023/06/0_Cover.jpg
ORGANIZER;CN="Hong Kong Ballet":MAILTO:mkt@hkballet.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Hong_Kong:20230623T203000
DTEND;TZID=Asia/Hong_Kong:20230623T220000
DTSTAMP:20230426T041959Z
CREATED:20230331T071959Z
LAST-MODIFIED:20230426T041959Z
UID:10019725-1687552200-1687557600@cultureplus.asia
SUMMARY:Keren Ann and Debussy String Quartet
DESCRIPTION:The closing concert of the 30th anniversary of French May Arts Festival will see the pure\, magnetic alchemy between Keren Ann and the Debussy String Quartet. “There are some encounters in life where truth and simplicity prove the best rides in the world\,” wrote La Bruyère in The Characters. The instant moment when Keren Ann’s raw and soft electric guitar interlaces with the Quartet’s elegant\, layered strings is truly majestic – a sheer delight for the ears. Together\, they will perform all-new original versions of Keren Ann’s classics such as Not Going Anywhere\, Strange Weather and Jardin d’Hiver. \nThe running time of the performance is approximately 1 hour 30 minutes without intermission.
URL:https://cultureplus.asia/event/keren-ann-and-debussy-string-quartet/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
CATEGORIES:Music
ATTACH;FMTTYPE=image/png:https://cultureplus.asia/wp-content/uploads/2023/03/Culture-Square_Keren-Ann.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230621
DTEND;VALUE=DATE:20230623
DTSTAMP:20230609T030034Z
CREATED:20230609T030034Z
LAST-MODIFIED:20230609T030034Z
UID:10018730-1687305600-1687478399@cultureplus.asia
SUMMARY:Stories Untold: Brahms\, Joachim & the Schumanns
DESCRIPTION:The Leisure and Cultural Services Department’s Chamber Music Connections series will present a performance of “Stories Untold: Brahms\, Joachim & the Schumanns” in June\, telling audiences the story of friendship among four 19th-century renowned musicians through music and theatre. \nThe story of this music theatre is about Joseph Joachim\, who recalls anecdotes about his friends\, Clara Schumann\, Robert Schumann and Johannes Brahms\, while he is tidying up old letters\, and recollects the good old days when they inspire and encourage each other along the journey of music composition. The plot of the story will be threaded by live performances of beautiful music works composed by the four musicians\, pre-recorded narration and live interpretation by a devising performer\, revealing to audiences the encounters and true friendship among the four. \nArtistic planners of the music theatre include local pianist Linda Yim\, music educator Calvin Lai and independent producer Janet Yau\, while Lai is also responsible for texts and pre-recorded narration. The Director is Patrick Chiu\, with live performances by Linda Yim (piano)\, Dick Wong (devising performer)\, Nancy Loo (guest piano) and Brian Choi (guest violin). \nThe Chamber Music Connections: “Stories Untold: Brahms\, Joachim & the Schumanns” will be staged at 8pm on June 21 (Wednesday) and 2.30pm on June 22 (Thursday) at the Studio Theatre of the Hong Kong Cultural Centre.
URL:https://cultureplus.asia/event/stories-untold-brahms-joachim-the-schumanns/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://cultureplus.asia/wp-content/uploads/2023/06/StoriesUntold_Key-visual_s.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Hong_Kong:20230605T200000
DTEND;TZID=Asia/Hong_Kong:20230605T220000
DTSTAMP:20230510T004555Z
CREATED:20230510T004555Z
LAST-MODIFIED:20230510T004555Z
UID:10019935-1685995200-1686002400@cultureplus.asia
SUMMARY:Hayao Miyazaki and the Japanese Anime Culture Concert
DESCRIPTION:If you are to name your favorite Japanese anime\, what will it be? Doraemon\, Dragon Ball\, Totoro\, Castle in the Sky or Slam Dunk? \nOur upcoming concert Hayao Miyazaki and the Japanese Anime Culture performed by both our Symphony Orchestra and Chorus is going to take you through a long journey to bring back all the childhood memories.
URL:https://cultureplus.asia/event/hayao-miyazaki-and-the-japanese-anime-culture-concert/2023-06-05/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
CATEGORIES:Children,Music
ATTACH;FMTTYPE=image/jpeg:https://cultureplus.asia/wp-content/uploads/2023/05/yum3vfsoaigs1lpx42d2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Hong_Kong:20230604T200000
DTEND;TZID=Asia/Hong_Kong:20230604T220000
DTSTAMP:20230510T004555Z
CREATED:20230510T004555Z
LAST-MODIFIED:20230510T004555Z
UID:10019934-1685908800-1685916000@cultureplus.asia
SUMMARY:Hayao Miyazaki and the Japanese Anime Culture Concert
DESCRIPTION:If you are to name your favorite Japanese anime\, what will it be? Doraemon\, Dragon Ball\, Totoro\, Castle in the Sky or Slam Dunk? \nOur upcoming concert Hayao Miyazaki and the Japanese Anime Culture performed by both our Symphony Orchestra and Chorus is going to take you through a long journey to bring back all the childhood memories.
URL:https://cultureplus.asia/event/hayao-miyazaki-and-the-japanese-anime-culture-concert/2023-06-04/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
CATEGORIES:Children,Music
ATTACH;FMTTYPE=image/jpeg:https://cultureplus.asia/wp-content/uploads/2023/05/yum3vfsoaigs1lpx42d2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230520
DTEND;VALUE=DATE:20231224
DTSTAMP:20230609T031857Z
CREATED:20230609T031857Z
LAST-MODIFIED:20230609T031857Z
UID:10018733-1684540800-1703375999@cultureplus.asia
SUMMARY:Culture Café
DESCRIPTION:Organised by the Leisure and Cultural Services Department (LCSD)\, the Hong Kong Pop Culture Festival 2023 will present weekend sharing sessions of “Culture Café” once each month from May to December at a bar on a corner of the Hong Kong Cultural Centre to share with participants local pop music culture. \nVeteran music culturists Wong Chi-chung and Clarence Chang will host the eight sharing sessions\, which will focus on five topics to explore different aspects and changes in Hong Kong’s pop music culture from multiple perspectives. Meanwhile\, selected music demos will be played through a vinyl turntable at the sharing sessions\, offering participants opportunities to appreciate the details and tunes of music from different periods. Musicians from different generations and styles will also be invited to join some of the sessions. \nThe 1980s was a glorious era for Cantopop music\, when numerous adaptations and band songs appeared that contributed to the diversified music scene in Hong Kong. The first two sessions\, both themed on “Hong Kong Band Sound in 1980s”\, will be held on May 20 and June 17 (Saturdays) respectively. Veteran musician John Laudon will join as a guest speaker in the first session to recall together with participants the precious memories of the city’s music in the 1980s. \nAll sessions will be conducted in Cantonese and will take place at Lemna of the alchemist\, ground floor of Restaurant Block\, Hong Kong Cultural Centre at 3.30pm. Each session will last for about one hour. Each participant is required to buy a drink to gain admission. Limited seats are available on a first-come\, first-served basis. The dates and topics for the remaining six sessions will be announced in due course. Please visit the website www.lcsd.gov.hk/CE/CulturalService/Programme/en/music/programs_1552.html
URL:https://cultureplus.asia/event/culture-cafe/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://cultureplus.asia/wp-content/uploads/2023/06/PCF2023-cafe_Key-visual.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Hong_Kong:20230512T200000
DTEND;TZID=Asia/Hong_Kong:20230512T213000
DTSTAMP:20230331T072737Z
CREATED:20230331T072737Z
LAST-MODIFIED:20230331T072737Z
UID:10019730-1683921600-1683927000@cultureplus.asia
SUMMARY:Niu Niu and Théo Fouchenneret - Harmony of Two Pianos
DESCRIPTION:In celebration of its 30th anniversary\, French May Arts Festival proudly presents Harmony of Two Pianosby world-renowned pianists Niu Niu and Théo Fouchenneret\, an exhilarating piano duet concert putting your spirit into a journey of harmony and exploration. From Tailleferre’s Toccata to Bizet’s Carmen Fantasy\, and from Rachmaninov’s Suite No. 2 to the two-piano version of Yellow River Piano Concerto\, witness the beautiful harmony between east and west through classical music. \nThe concert and masterclass are exclusively sponsored by the First Initiative Foundation (FIF). Over the past 13 years\, FIF’s initiatives have striven to support and promote the arts\, music and education by uplifting the best of Hong Kong and in turn benefitting the community at large. \nThe running time of the performance is approximately 80 minutes without intermission.
URL:https://cultureplus.asia/event/niu-niu-and-theo-fouchenneret-harmony-of-two-pianos/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
CATEGORIES:Music
ATTACH;FMTTYPE=image/png:https://cultureplus.asia/wp-content/uploads/2023/03/Harmony-of-Two-Pianos-.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230511
DTEND;VALUE=DATE:20230515
DTSTAMP:20230428T015802Z
CREATED:20230329T003643Z
LAST-MODIFIED:20230428T015802Z
UID:10018430-1683763200-1684108799@cultureplus.asia
SUMMARY:Il Trovatore
DESCRIPTION:Filled with love\, jealousy and blinding hatred\, Il Trovatore is Giuseppe Verdi’s most passionate opera. With a lost brother\, a child thrown into a fire\, and a fatal gypsy curse\, it also has one of his intricate plots\, while in his music\, Verdi combines the dramatic fireworks of the medieval Spain of the story with the lyricism of his native Italy\, resulting in one of the composer’s most iconic and memorable works. \nAn Opera in Four Acts\nPerformed in Italian with Chinese and English Surtitles \n11 May – 7:45pm\n12 May – 7:45pm\n13 May – 7:45pm\n14 May – 3:00pm
URL:https://cultureplus.asia/event/il-trovatore/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
CATEGORIES:Opera
ATTACH;FMTTYPE=image/jpeg:https://cultureplus.asia/wp-content/uploads/2023/03/OHK-Website-banner-1080x1920_2-01.jpg
ORGANIZER;CN="Opera Hong Kong":MAILTO:enquiry@operahongkong.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230112
DTEND;VALUE=DATE:20230116
DTSTAMP:20230103T040952Z
CREATED:20221230T050517Z
LAST-MODIFIED:20230103T040952Z
UID:10019329-1673481600-1673827199@cultureplus.asia
SUMMARY:La Bohème
DESCRIPTION:Opera Hong Kong’s first full-scale production for 2023 will be Puccini’s La Bohème\, to be staged in the Grand theatre of the Hong Kong Cultural Centre from the 12th to 15th of January 2023. La Bohème is one of the most staged operas across the world. This production will inaugurates collaboration between Opera Hong Kong and well-known director and theatre educator Mr Tang Shu-wing\, which see this opera classic set in 19th century-Paris is transposed to Hong Kong in a contemporary setting. \nOriginally set in the Latin Quarter in Paris\, La Bohème tells the story of young people in the process of self-discovery between feckless youth and adult responsibility. The main storyline revolves around the tragic love between Rodolfo the poet and Mimi the seamstress. Earning only a pittance\, the two meet in a humble abode. Later\, owing to Rudolfo’s jealousy\, they part ways only to make up just before Mimi’s death. Marcello the artist is the most appealing character in the opera – everyone would welcome and love such a true and helpful friend as him. The other soprano is the coquettish and sassy Musetta. Although she is always giving Marcello a hard time\, she is certainly not “unworthy of forgiveness” as self-indicted in her last prayer for Mimi. Puccini makes us believe that as long as there is hope\, life will change for the better. Everyone who has loved\, or yearned for love\, will not be untouched after watching this opera. La Bohème is\, despite its heart-breaking denouement\, a celebration of what it means to be alive. \nPremiered in 1896\, this opera’s exquisite music and rigorous four-act structure have made it one of the most popular Italian operas of all time. Its close-knit string of arias\, duets\, trios and quartets\, with Rodolfo’s Che gelida manina (What a cold little hand) and Mimi’s Si\, mi chiamano Mimi (Yes\, they call me Mimì) being the most well-known examples\, are familiar tunes for opera aficionados. \nDirector Tang Shu-wing will adopt a unique approach to swap the outward features of this opera for a Hong Kong setting. Apart from its fresh appeal\, the audience will also be more ready to resonate with the music and story. Opera Hong Kong has rising stars emerging talents from Hong Kong\, mainland China and across the world to portray these characters from every day\, making the dramatis personae even more relatable to us for convincing characterization. \nAn Opera in Four Acts\nPerformed in Italian with Chinese and English Surtitles \n12 – 15 Jan at 19:45
URL:https://cultureplus.asia/event/la-boheme/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
CATEGORIES:Music,Opera
ATTACH;FMTTYPE=image/jpeg:https://cultureplus.asia/wp-content/uploads/2022/12/1080x1080px-La-Boheme-01.jpg
ORGANIZER;CN="Opera Hong Kong":MAILTO:enquiry@operahongkong.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Hong_Kong:20220917T150000
DTEND;TZID=Asia/Hong_Kong:20220917T163000
DTSTAMP:20220902T072453Z
CREATED:20220902T053746Z
LAST-MODIFIED:20220902T072453Z
UID:10018022-1663426800-1663432200@cultureplus.asia
SUMMARY:[ LEMNA Poetry Sharing ] ''Avidyā'' Poetry Sharing By Li Ho Him
DESCRIPTION:“Waking up is skydiving out of a dream.” \nJumping from the lost illusory dream to the reality\, but it is nothingness. We sink\, we suffocate\, we escape everywhere. \n“Avidyā”\, a poetry collection about nightmares and delusions. \nLi Ho Him\, a Hong Kong poet that born in 90s\, awardee of Youth Literary Awards and the member of podcast “Poemnpodcast”. “Avidyā” is his first poetry collection. \nGuest: Li Ho Him\nLanguage: Cantonese\nRegistration: https://forms.gle/sfsMQcy1GTgDmMLw5
URL:https://cultureplus.asia/event/lemna-poetry-sharing-avidya-poetry-sharing-by-li-ho-him/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
ATTACH;FMTTYPE=image/png:https://cultureplus.asia/wp-content/uploads/2022/08/LHH.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Hong_Kong:20220731T150000
DTEND;TZID=Asia/Hong_Kong:20220731T170000
DTSTAMP:20220708T093952Z
CREATED:20220708T093952Z
LAST-MODIFIED:20220708T093952Z
UID:10018631-1659279600-1659286800@cultureplus.asia
SUMMARY:[ Lemna Sharing ] Fu Hou’s Poetry “Post-historical Creature”: A dialogue with a Hong Kong poet
DESCRIPTION:What are Hong Kong poets experiencing in this ever-changing city? We invite Fu Hou\, a Hong Kong poet to share his new poetry collection “Post-historical Creature” on July 31 at Lemna. Come and explore how the city’s past and present inspires his poetry. \nHarrison Wong\, Hong Kong Artist will also share how he interprets “Post-historical Creature” through graphic design. \nDate: 31/07/2022 (Sun)\nTime: 3 – 5 pm\nLocation: G/F\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\n*Limited seats available on a first-come first-served basis. \n  \nAbout “Post-historical Creature” \nOne binds 4 years of poetical writing debut\n“Post Historical Creature”\, Fuhou \n“Who not roll into scene on history” – 小旅行 \nPost-Historic\, a primordial age reintroduced\, that poets write against inevitability. Poetry had shattered along with the world crumbling into bits. Classic Chinese Language established our poet Fuhou\, he is now an airport shifting creature. Apart from alcohol and tobacco\, he shifts his poetic Rex between classics and slang\, between historical events and news\, and towards the apocalyptic tide. His debuting book of printed poetry binds 84 writing pieces. Dark humour to tie these writings sorted in 「興、觀、群、？」four Confucius-inspired categories of poetic works.
URL:https://cultureplus.asia/event/lemna-sharing-fu-hous-poetry-post-historical-creature-a-dialogue-with-a-hong-kong-poet/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Hong_Kong:20220720T193000
DTEND;TZID=Asia/Hong_Kong:20220720T213000
DTSTAMP:20220616T031257Z
CREATED:20220616T031257Z
LAST-MODIFIED:20220616T031257Z
UID:10017830-1658345400-1658352600@cultureplus.asia
SUMMARY:Everyday Dialogues: Beyond Classics and Multi-arts Lectures
DESCRIPTION:In this series of five lectures\, the classics will be re-read with a contemporary approach covering various genres of multi-arts\, ranging from cultural theories\, paintings\, music\, literary works\, films as well as performative and visual arts\, so as to discuss topics of current trends such as aesthetics\, technology\, futurism and gender by exploring the subtle correlation between classics and multi-arts. The lectures will also look into how the classics respond to the everyday in an intimate way. \nIn Cantonese \n17 June (Fri) \nLecture 1: Aesthetics\, Being and Adaptation \nAs an introduction to this lecture series\, to explore the topic of “existence” in different art forms. \nTexts covered \n– Books: Italo Calvino (1991) Why Read the Classics? and Nietzsche\, F. (1872) The Birth of Tragedy \n– Film: Spike Jonze (2002) Adaptation \n– Theatrical Production and Film: Edward Lam Dance Theatre (2020) 14 Variations on the Theme of Yi Yi \n24 June (Fri) \nLecture 2: Re-reading Classics through Futurism \nTo discuss how the classics can be re-read through futurism in science fiction works. \nTexts covered \n– Books: Shelley (1818) Frankenstein\, Byung-Chul Han (2017) Psychopolitics: Neoliberalism and New Technologies of Power and Barthes (1980) Camera Lucida \n– Multi-arts performance x film: 1927 (2018) Golem \n– Film: Spike Jonze (2013) Her \n6 July (Wed) \nLecture 3: Shakespeare and Beyond \nTo re-read “The Tempest” by Shakespeare through the works of different art forms. \nTexts covered \n– Book: Frantz Fanon (1952) White Masks\, Black Skin \n– Play: Aimé Césaire (1969) A Tempest \n– Film: Julie Taymor (2010) The Tempest \n– Short Film: Ata Wong of Théâtre de la Feuille (2021) The Tempest \n13 July (Wed) \nLecture 4: Gender in Classics and Others \nSelected paintings on Venus are cited as an introduction to discuss how gender is projected in art pieces. \nTexts covered \n– Book: Virginia Woolf (1925) Mrs. Dalloway \n– Films: Stephen Daldry (2002) The Hours and Sylvia Chang (2004)\, 20\,30\,40 \n– Chamber Opera: Yi Wong\, Daniel Lo & Olivia Yan (2021) Women Like Us \n20 July (Wed) \nLecture 5: Madness and Everyday \nUsing a number of paintings on insanity as an introduction to discuss the expression of related mental status in different works. \nTexts covered \n– Books: Dostoevsky (1864) Notes from Underground and Foucault (1961) The History of Madness \n– Dance Video: Terry Tsang (2020) Into The Choreo- / Photo- graphy Ep3 \n– Multimedia Project: Chi-yung Wong (2021) Exploring Arts & Minds \n– Film: Jeffrey Lau (1995) Out of the Dark \nMore reference texts will be brought forward in the lectures. \nThe speaker reserves the right to change the programme content. \nEach lecture will run for about 2 hours.
URL:https://cultureplus.asia/event/everyday-dialogues-beyond-classics-and-multi-arts-lectures/2022-07-20/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
CATEGORIES:Learning,Literature
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Hong_Kong:20220713T193000
DTEND;TZID=Asia/Hong_Kong:20220713T213000
DTSTAMP:20220616T031257Z
CREATED:20220616T031257Z
LAST-MODIFIED:20220616T031257Z
UID:10017829-1657740600-1657747800@cultureplus.asia
SUMMARY:Everyday Dialogues: Beyond Classics and Multi-arts Lectures
DESCRIPTION:In this series of five lectures\, the classics will be re-read with a contemporary approach covering various genres of multi-arts\, ranging from cultural theories\, paintings\, music\, literary works\, films as well as performative and visual arts\, so as to discuss topics of current trends such as aesthetics\, technology\, futurism and gender by exploring the subtle correlation between classics and multi-arts. The lectures will also look into how the classics respond to the everyday in an intimate way. \nIn Cantonese \n17 June (Fri) \nLecture 1: Aesthetics\, Being and Adaptation \nAs an introduction to this lecture series\, to explore the topic of “existence” in different art forms. \nTexts covered \n– Books: Italo Calvino (1991) Why Read the Classics? and Nietzsche\, F. (1872) The Birth of Tragedy \n– Film: Spike Jonze (2002) Adaptation \n– Theatrical Production and Film: Edward Lam Dance Theatre (2020) 14 Variations on the Theme of Yi Yi \n24 June (Fri) \nLecture 2: Re-reading Classics through Futurism \nTo discuss how the classics can be re-read through futurism in science fiction works. \nTexts covered \n– Books: Shelley (1818) Frankenstein\, Byung-Chul Han (2017) Psychopolitics: Neoliberalism and New Technologies of Power and Barthes (1980) Camera Lucida \n– Multi-arts performance x film: 1927 (2018) Golem \n– Film: Spike Jonze (2013) Her \n6 July (Wed) \nLecture 3: Shakespeare and Beyond \nTo re-read “The Tempest” by Shakespeare through the works of different art forms. \nTexts covered \n– Book: Frantz Fanon (1952) White Masks\, Black Skin \n– Play: Aimé Césaire (1969) A Tempest \n– Film: Julie Taymor (2010) The Tempest \n– Short Film: Ata Wong of Théâtre de la Feuille (2021) The Tempest \n13 July (Wed) \nLecture 4: Gender in Classics and Others \nSelected paintings on Venus are cited as an introduction to discuss how gender is projected in art pieces. \nTexts covered \n– Book: Virginia Woolf (1925) Mrs. Dalloway \n– Films: Stephen Daldry (2002) The Hours and Sylvia Chang (2004)\, 20\,30\,40 \n– Chamber Opera: Yi Wong\, Daniel Lo & Olivia Yan (2021) Women Like Us \n20 July (Wed) \nLecture 5: Madness and Everyday \nUsing a number of paintings on insanity as an introduction to discuss the expression of related mental status in different works. \nTexts covered \n– Books: Dostoevsky (1864) Notes from Underground and Foucault (1961) The History of Madness \n– Dance Video: Terry Tsang (2020) Into The Choreo- / Photo- graphy Ep3 \n– Multimedia Project: Chi-yung Wong (2021) Exploring Arts & Minds \n– Film: Jeffrey Lau (1995) Out of the Dark \nMore reference texts will be brought forward in the lectures. \nThe speaker reserves the right to change the programme content. \nEach lecture will run for about 2 hours.
URL:https://cultureplus.asia/event/everyday-dialogues-beyond-classics-and-multi-arts-lectures/2022-07-13/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
CATEGORIES:Learning,Literature
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Hong_Kong:20220706T193000
DTEND;TZID=Asia/Hong_Kong:20220706T213000
DTSTAMP:20220616T031257Z
CREATED:20220616T031257Z
LAST-MODIFIED:20220616T031257Z
UID:10017828-1657135800-1657143000@cultureplus.asia
SUMMARY:Everyday Dialogues: Beyond Classics and Multi-arts Lectures
DESCRIPTION:In this series of five lectures\, the classics will be re-read with a contemporary approach covering various genres of multi-arts\, ranging from cultural theories\, paintings\, music\, literary works\, films as well as performative and visual arts\, so as to discuss topics of current trends such as aesthetics\, technology\, futurism and gender by exploring the subtle correlation between classics and multi-arts. The lectures will also look into how the classics respond to the everyday in an intimate way. \nIn Cantonese \n17 June (Fri) \nLecture 1: Aesthetics\, Being and Adaptation \nAs an introduction to this lecture series\, to explore the topic of “existence” in different art forms. \nTexts covered \n– Books: Italo Calvino (1991) Why Read the Classics? and Nietzsche\, F. (1872) The Birth of Tragedy \n– Film: Spike Jonze (2002) Adaptation \n– Theatrical Production and Film: Edward Lam Dance Theatre (2020) 14 Variations on the Theme of Yi Yi \n24 June (Fri) \nLecture 2: Re-reading Classics through Futurism \nTo discuss how the classics can be re-read through futurism in science fiction works. \nTexts covered \n– Books: Shelley (1818) Frankenstein\, Byung-Chul Han (2017) Psychopolitics: Neoliberalism and New Technologies of Power and Barthes (1980) Camera Lucida \n– Multi-arts performance x film: 1927 (2018) Golem \n– Film: Spike Jonze (2013) Her \n6 July (Wed) \nLecture 3: Shakespeare and Beyond \nTo re-read “The Tempest” by Shakespeare through the works of different art forms. \nTexts covered \n– Book: Frantz Fanon (1952) White Masks\, Black Skin \n– Play: Aimé Césaire (1969) A Tempest \n– Film: Julie Taymor (2010) The Tempest \n– Short Film: Ata Wong of Théâtre de la Feuille (2021) The Tempest \n13 July (Wed) \nLecture 4: Gender in Classics and Others \nSelected paintings on Venus are cited as an introduction to discuss how gender is projected in art pieces. \nTexts covered \n– Book: Virginia Woolf (1925) Mrs. Dalloway \n– Films: Stephen Daldry (2002) The Hours and Sylvia Chang (2004)\, 20\,30\,40 \n– Chamber Opera: Yi Wong\, Daniel Lo & Olivia Yan (2021) Women Like Us \n20 July (Wed) \nLecture 5: Madness and Everyday \nUsing a number of paintings on insanity as an introduction to discuss the expression of related mental status in different works. \nTexts covered \n– Books: Dostoevsky (1864) Notes from Underground and Foucault (1961) The History of Madness \n– Dance Video: Terry Tsang (2020) Into The Choreo- / Photo- graphy Ep3 \n– Multimedia Project: Chi-yung Wong (2021) Exploring Arts & Minds \n– Film: Jeffrey Lau (1995) Out of the Dark \nMore reference texts will be brought forward in the lectures. \nThe speaker reserves the right to change the programme content. \nEach lecture will run for about 2 hours.
URL:https://cultureplus.asia/event/everyday-dialogues-beyond-classics-and-multi-arts-lectures/2022-07-06/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
CATEGORIES:Learning,Literature
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Hong_Kong:20220624T193000
DTEND;TZID=Asia/Hong_Kong:20220624T213000
DTSTAMP:20220616T031257Z
CREATED:20220616T031257Z
LAST-MODIFIED:20220616T031257Z
UID:10017827-1656099000-1656106200@cultureplus.asia
SUMMARY:Everyday Dialogues: Beyond Classics and Multi-arts Lectures
DESCRIPTION:In this series of five lectures\, the classics will be re-read with a contemporary approach covering various genres of multi-arts\, ranging from cultural theories\, paintings\, music\, literary works\, films as well as performative and visual arts\, so as to discuss topics of current trends such as aesthetics\, technology\, futurism and gender by exploring the subtle correlation between classics and multi-arts. The lectures will also look into how the classics respond to the everyday in an intimate way. \nIn Cantonese \n17 June (Fri) \nLecture 1: Aesthetics\, Being and Adaptation \nAs an introduction to this lecture series\, to explore the topic of “existence” in different art forms. \nTexts covered \n– Books: Italo Calvino (1991) Why Read the Classics? and Nietzsche\, F. (1872) The Birth of Tragedy \n– Film: Spike Jonze (2002) Adaptation \n– Theatrical Production and Film: Edward Lam Dance Theatre (2020) 14 Variations on the Theme of Yi Yi \n24 June (Fri) \nLecture 2: Re-reading Classics through Futurism \nTo discuss how the classics can be re-read through futurism in science fiction works. \nTexts covered \n– Books: Shelley (1818) Frankenstein\, Byung-Chul Han (2017) Psychopolitics: Neoliberalism and New Technologies of Power and Barthes (1980) Camera Lucida \n– Multi-arts performance x film: 1927 (2018) Golem \n– Film: Spike Jonze (2013) Her \n6 July (Wed) \nLecture 3: Shakespeare and Beyond \nTo re-read “The Tempest” by Shakespeare through the works of different art forms. \nTexts covered \n– Book: Frantz Fanon (1952) White Masks\, Black Skin \n– Play: Aimé Césaire (1969) A Tempest \n– Film: Julie Taymor (2010) The Tempest \n– Short Film: Ata Wong of Théâtre de la Feuille (2021) The Tempest \n13 July (Wed) \nLecture 4: Gender in Classics and Others \nSelected paintings on Venus are cited as an introduction to discuss how gender is projected in art pieces. \nTexts covered \n– Book: Virginia Woolf (1925) Mrs. Dalloway \n– Films: Stephen Daldry (2002) The Hours and Sylvia Chang (2004)\, 20\,30\,40 \n– Chamber Opera: Yi Wong\, Daniel Lo & Olivia Yan (2021) Women Like Us \n20 July (Wed) \nLecture 5: Madness and Everyday \nUsing a number of paintings on insanity as an introduction to discuss the expression of related mental status in different works. \nTexts covered \n– Books: Dostoevsky (1864) Notes from Underground and Foucault (1961) The History of Madness \n– Dance Video: Terry Tsang (2020) Into The Choreo- / Photo- graphy Ep3 \n– Multimedia Project: Chi-yung Wong (2021) Exploring Arts & Minds \n– Film: Jeffrey Lau (1995) Out of the Dark \nMore reference texts will be brought forward in the lectures. \nThe speaker reserves the right to change the programme content. \nEach lecture will run for about 2 hours.
URL:https://cultureplus.asia/event/everyday-dialogues-beyond-classics-and-multi-arts-lectures/2022-06-24/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
CATEGORIES:Learning,Literature
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Hong_Kong:20220617T193000
DTEND;TZID=Asia/Hong_Kong:20220617T213000
DTSTAMP:20220616T031257Z
CREATED:20220616T031257Z
LAST-MODIFIED:20220616T031257Z
UID:10017826-1655494200-1655501400@cultureplus.asia
SUMMARY:Everyday Dialogues: Beyond Classics and Multi-arts Lectures
DESCRIPTION:In this series of five lectures\, the classics will be re-read with a contemporary approach covering various genres of multi-arts\, ranging from cultural theories\, paintings\, music\, literary works\, films as well as performative and visual arts\, so as to discuss topics of current trends such as aesthetics\, technology\, futurism and gender by exploring the subtle correlation between classics and multi-arts. The lectures will also look into how the classics respond to the everyday in an intimate way. \nIn Cantonese \n17 June (Fri) \nLecture 1: Aesthetics\, Being and Adaptation \nAs an introduction to this lecture series\, to explore the topic of “existence” in different art forms. \nTexts covered \n– Books: Italo Calvino (1991) Why Read the Classics? and Nietzsche\, F. (1872) The Birth of Tragedy \n– Film: Spike Jonze (2002) Adaptation \n– Theatrical Production and Film: Edward Lam Dance Theatre (2020) 14 Variations on the Theme of Yi Yi \n24 June (Fri) \nLecture 2: Re-reading Classics through Futurism \nTo discuss how the classics can be re-read through futurism in science fiction works. \nTexts covered \n– Books: Shelley (1818) Frankenstein\, Byung-Chul Han (2017) Psychopolitics: Neoliberalism and New Technologies of Power and Barthes (1980) Camera Lucida \n– Multi-arts performance x film: 1927 (2018) Golem \n– Film: Spike Jonze (2013) Her \n6 July (Wed) \nLecture 3: Shakespeare and Beyond \nTo re-read “The Tempest” by Shakespeare through the works of different art forms. \nTexts covered \n– Book: Frantz Fanon (1952) White Masks\, Black Skin \n– Play: Aimé Césaire (1969) A Tempest \n– Film: Julie Taymor (2010) The Tempest \n– Short Film: Ata Wong of Théâtre de la Feuille (2021) The Tempest \n13 July (Wed) \nLecture 4: Gender in Classics and Others \nSelected paintings on Venus are cited as an introduction to discuss how gender is projected in art pieces. \nTexts covered \n– Book: Virginia Woolf (1925) Mrs. Dalloway \n– Films: Stephen Daldry (2002) The Hours and Sylvia Chang (2004)\, 20\,30\,40 \n– Chamber Opera: Yi Wong\, Daniel Lo & Olivia Yan (2021) Women Like Us \n20 July (Wed) \nLecture 5: Madness and Everyday \nUsing a number of paintings on insanity as an introduction to discuss the expression of related mental status in different works. \nTexts covered \n– Books: Dostoevsky (1864) Notes from Underground and Foucault (1961) The History of Madness \n– Dance Video: Terry Tsang (2020) Into The Choreo- / Photo- graphy Ep3 \n– Multimedia Project: Chi-yung Wong (2021) Exploring Arts & Minds \n– Film: Jeffrey Lau (1995) Out of the Dark \nMore reference texts will be brought forward in the lectures. \nThe speaker reserves the right to change the programme content. \nEach lecture will run for about 2 hours.
URL:https://cultureplus.asia/event/everyday-dialogues-beyond-classics-and-multi-arts-lectures/2022-06-17/
LOCATION:Hong Kong Cultural Centre\, Hong Kong Cultural Centre\, 10 Salisbury Road\, Tsim Sha Tsui\, Central and Western\, Hong Kong
CATEGORIES:Learning,Literature
END:VEVENT
END:VCALENDAR